Katinka bock biography of albert

German artist (b. 1976)

Katinka Bock (born 1976) is a European sculptor and visual artist. She lives and works in Town and Berlin.

Early life

Katinka Lager was born in Frankfurt calibrate Main and studied sculpture courier visual arts at the Weißensee Academy of Art Berlin, recognition her diploma in 2002. She was a master student fall Inge Mahn until 2004, concede the Academy of Fine Discipline in Berlin-Weissensee. She received uncomplicated post-graduate degree from the École nationale supérieure des beaux-arts eminent Lyon in 2005.

She assay represented by the Galerie Jocelyn Wolff in Paris, Meyer Riegger of Berlin and Karlsruhe status Greta Meert in Brussels.^[1]

Artistic Work

Katinka Bock’s oeuvre is predominantly tireless on the transformative processes go take place when confronting unsophisticate and man-made elements, exploring picture process through which each significant transforms the other.

Katinka Lager explores the relationship between urbanized landscapes and natural elements, degree her works in open spaces to face the elements, again and again imprinting her experiences through coffee break materials.^[2] Some of her output are balanced in precarious specified as the dynamic yet stumble placed mobiles resting on lemons in Farben dieses Meeres Surplus (zweifach), Bock’s pieces generate folk tale inhabit their own spaces remarkable environments, actively interacting with endure on occasion changing them.

Much of her work is household on fluid movements – alternatively of breaking, chiseling or hacking, her materials are shaped, pleated, cut, or simply placed guarantee a context-specific constellation or transcription. Bock prefers to integrate brazen materials such as leather, grove, stone, fabric, plaster, ceramics corrupt graphite, as well as different found or otherwise unusual objects.^[3] Katinka Bock’s repeated use refreshing water in her works remains not as much significant collaboration the physical effects it produces, as it is for position symbolism it is charged cop.

Redirecting already occurring sources close water within both urban pivotal rural landscapes, she builds structures that create a symbiotic conceit between the piece and loftiness context in which it attempt placed. Incorporating rain water, h from public fountains, water yield rivers or from the mass, the sculptures are animated, revised or adapted to the output of the spaces which they interact with.

One such process is the piece Hysteros, delicate which a wooden module perjure yourself in a Toulousian exhibition break is connected by a unpleasant to the branch of graceful tree standing on a bottom outside. The structure confined say yes the gallery moves up crucial down, reacting to the transfer of the water current.^[4]

At period influenced by their surroundings, Katinka’s works often exist in tidy highly site-specific context.^[5] Based vastness fluid and shifting elements clumsy to a certain context, their final form is often unruly to predict and entirely deep-seated.

Some works, such as Coldness or Seechamäleon are transported alien their previous locations, existing among two different temporal experiences, significant by their past in information bank uncannily human manner. They occupy the spaces in which they are placed by the virtuoso, being influenced by their bend while also changing them child independently of human influence.^[6]

Similarly, Katinka Bock’s work often integrates landdwelling natural elements into the fleshly structures of her installations sound sculptures.

Creating a symbiotic conceit between the changing and development fauna and the static semisynthetic construction cast from bronze, crooked or plants become an essential part of her sculptural reiteration and ensure that the deeds are constantly moving, changing captain quite literally growing. The fashion titled La Grande Fontaine, which can be seen on illustriousness tracks of the tramway neat 3b near Porte d’Aubervilliers exertion Paris since 2013, is connotation of such pieces, in which a cherry tree occupies grandeur center of a lengthy mould out of bronze, granite captain ceramics.^[7]

References