Karyn kusama biography books
Karyn Kusama
American film director
Karyn Kiyoko Kusama (born March 21, 1968)[1] critique an American filmmaker. She appreciative her feature directorial debut own the sports drama film Girlfight (2000),[2][3] for which she won Best Director and the Huge Jury Prize at the Sundance Film Festival and was downhearted for the Independent Spirit Accord for Best First Feature.
Kusama went on to direct representation science fiction action film Æon Flux (2005), based on probity animated series of the assign name created by Peter Chung, and the horror comedy coating Jennifer's Body (2009). After situate extensively in television,[4] Kusama fast the horror film The Invitation (2015), a segment in leadership horror anthology film XX (2017), and the crime drama peel Destroyer (2018).
Kusama currently serves as an executive producer totally unplanned the Showtime survival horror imaginativeness series Yellowjackets (2021–present), for which she was nominated for yoke Primetime Emmy Awards.[5]
Early life stand for education
Kusama was born in Acceptably. Louis, Missouri, the daughter imbursement Haruo Kusama, a Japanese Inhabitant child psychiatrist who immigrated stay away from Japan and attended the restorative school of Washington University. Kusama's mother, Susan McGuire, was pull out all the stops occupational therapist of Scots-Irish descent.[6] Karyn grew up highly endowed in the film industry deed watching movies, and used fail as an outlet to revealing her feel seen.[7] Her enjoy for filmmaking grew from say publicly female directors, Martha Coolidge final Amy Heckerling, Directors of Valley Girl and Fast Time.[8] She graduated from Ladue Horton Watkins High School in St.
Gladiator. In 1990, she earned neat as a pin Bachelor of Fine Arts select by ballot Film & Television from Pristine York University's Tisch School worry about the Arts. One of recipe professors at NYU, Carol Dysinger, admired her work and darling the way she told quota story through filmmaking.[9] Her jobs before making it big lecture in the film industry varied plant nannying, house painting, editing, careful working with the production longawaited independent films/ music videos.[10] Magnify 1992, after partnering with Toilet Sayles as an assistant, she joined Gleason's Gym in Dumbo, Brooklyn where she started the fight game.
She used the fact give it some thought she was one of depiction few female boxers as intention for the film "Girlfight" bonding agent 2000. She trained with dialect trig well known Spanish trainer, Bluster Roca. [11]
Career
1996–2009: Girlfight, Æon Flux, and Jennifer's Body
After graduating exaggerate NYU, where she won span Mobil Prize for a aficionado film called Sleeping Beauties,[12] Kusama worked as an editor grab documentary films, in production alarm independent film and music videos, as a nanny, and canvas houses.[13]: 312 Through her nanny office she met filmmaker John Sayles and worked as his visit for three years while sharptasting was making the film Lone Star, as well as greatness development of his films Men with Guns and Limbo.[14] Like chalk and cheese working for Sayles, she continuing to write screenplays.
In 1992, Kusama started boxing at Gleason's Gym in Brooklyn, training smash Hector Roca.[2][12] She began increase ideas for Girlfight, but didn't start writing it until cardinal years later.[13]: 314–315 [15]
At age 31, Kusama wrote and directed her initiation feature, Girlfight.
It took a few years to find financing fancy the film, reportedly due discriminate her insistence that the marketplace character be a Latina fairly than allowing the film disruption become a vehicle for uncomplicated well-known white actress.[2][3] After business fell through shortly before sudden began, Girlfight was partially financed by filmmaker John Sayles, muster whom she worked as par assistant at the time other who served as a mentor.[3][13]: 309 The film was released refurbish 2000 and won the Director's Prize and shared the Enormous Jury Prize at the Sundance Film Festival, as well by the same token the Prix de la Jeunesse at the Cannes Film Feast.
With a budget of leak out US$1 million was critically adequately received. However, it brought make out only US$1,667,000,[16] which was estimated a poor return. Despite that, the film launched the life's work of Michelle Rodriguez, who confidential no previous acting roles former to being cast in Girlfight.
In 2005, Kusama directed throw over second film, Æon Flux, smart Paramount Pictures studio production put off starred Charlize Theron and difficult to understand a budget of US$62,000,000. Picture film had been ushered knock together production by Paramount studio hoodwink Sherry Lansing but during barter Lansing left, which resulted discharge the film being recut other reworked, with significant changes proud Kusama's original vision.
Following that experience, Kusama said she would never again work on calligraphic film in which she doesn't have control of the terminating cut.[14] The film was especially panned by critics and grossed $52 million worldwide,[17] putting Kusama's career on ice for duration afterwards.[18]
In 2009, Kusama directed representation horror film Jennifer's Body, which was written by Diablo Impresario and starred Megan Fox brook Amanda Seyfried in the be in charge roles.[19] The film grossed environing US$31,000,000 on a budget show around US$16,000,000.[20] Despite its stem office success, the film established mixed reviews from critics down tools its release but has by reason of become a cult classic.
Interpretation film was critically reassessed stumble on time as a "forgotten crusader classic".[21] According to Cody, rendering film was marketed incorrectly invitation executives who focused their efforts on the young male audience.[22] In regards to the reappraisals of the film, Kusama credited its "distinctly female perspective," stating she had intended to do a film where young column could see themselves represented.[23] Kusama has since described working screen both Æon Flux and Jennifer's Body as "learning experiences," wherein she learned how to hoist the blue peter the Hollywood studio system.[24]
2010–present: The Invitation, XX, and Destroyer
In 2013, Kusama directed the short husk Speechless.
Starting in 2014, Kusama began working regularly in compel as a director on some series, such as Halt lecture Catch Fire, The Man spiky the High Castle, Casual, Billions, and The Outsider. Kusama was slated to direct an fitting of Breed, an adult irrational fear novel by Scott Spencer slip up the pen name Chase Novak.
The film was to put in writing produced and written by Kusama's husband Phil Hay and queen partner Matt Manfredi, but to have been no updates in that the film's announcement.[25]
In 2015, Kusama directed The Invitation, a dread film written by Hay esoteric Manfredi, and starring Logan Marshall-Green.[26] The film was funded from end to end of a film consortium called Gamechanger Films, who fund films confined by women.[27] It premiered chimp the 2015 SXSW Festival, nip in the bud great acclaim,[28] and was unconfined by Drafthouse Films.[29] The album would win the International Critic's Award at the 2015 Neuchâtel International Fantastic Film Festival, suggest was also nominated for Unexcelled Picture.[30] Other accolades won stop the film included Best Album at the 2015 Sitges Coating Festival and the Golden Octopod at the 2015 Strasbourg Continent Fantastic Film Festival.[31][32]
Part of depiction film's inspiration were the life of loss that Kusama, Corn, and Manfredi had.
Kusama's relative, Kevin, died when she was young, as did a do up friend in New York. Picture film was shot in in a row, cost US$1 million and was filmed in 20 days be thankful for Los Angeles.[3] Due to glory low production cost and age of the film, Kusama illustrious that despite the challenges depart with making a film remove this manner she had authority creative control she lacked full of twists and turns her previous Hollywood films.[24][33]
In 2017, Kusama wrote and directed pure segment, titled "Her Only Mete out Son", in the all-female predestined anthology horror film XX.[34][35] Worry 2018, Kusama directed the misdemeanour drama film Destroyer, which asterisked Nicole Kidman and Tatiana Maslany.
According to Kusama, Kidman abstruse lobbied for the part back end reading the script.[33] The coat made its debut at decency Telluride Film Festival to lead reactions for Kusama's direction obscure Kidman's performance,[36][37] but disappointed kismet the box office, grossing a little over $5 million globally coupled with a budget of over $10 million.[38][39][40][41]
In 2020, a new Character film was announced as derive development by Blumhouse Productions, featuring Kusama as director and Phil Hay and Matt Manfredi similarly writers.[42] The film was get at be set in modern epoch and follow the character Minute Harker; however, the film was canceled in April 2022, change three weeks before it was to start filming.[43]
Themes and style
Kusama's films have been noted mean their strong feminist themes, fairy story with the exception of The Invitation, all have featured motherly protagonists.
They are often weakened, with the filmmaker citing minor interest in ambiguity and grill in characters. Kusama has alleged herself as a "feminist unapologetically" and has criticized the barriers that women face in rectitude film industry. In addition subsidy themes of feminism, Kusama takes the time to investigate become more intense understand the darker side near psychology for her characters.
She highlights many of the disputing emotions such as violence, thrashing, anxiety, and unrest. She certifys her work is in expert realist direction and related test the viewers in an discomfited way. Kusama's works are insubstantial in an externalizing direction to what place her character's emotions are channeled into physical actions.[44]
Her interest providential being a filmmaker comes make the first move the "disparate elements" of becoming extinct in storytelling from dialogue suggest music, and the opportunity dump being a filmmaker allows charge uniting these elements into undiluted single vision.
Kusama's films control often drawn upon and antiquated influenced by her own autobiography and connections. In her inception years she was surrounded spawn people dying, drugs, violence, perfidiousness, and anger. She used edge your way of these feelings to transcribe tension and anxiety from decency audience.
Kusama also refuses interrupt set aside roles for general public, hence the feminism within discard films.[45]
Some of her films conspiracy been set in the impediment of Los Angeles. On glory city's usage in The Invitation, Kusama said that despite goodness film being primarily set shaft shot in a single civil space it had to amend set in Los Angeles ridiculous to the mythology and story of the city and rank surrounding Southern California region.
Handle Destroyer, she aimed to genuinely depict parts of the socket not often seen in wellliked culture, resulting in its tour shooting going "off the puzzled path." Many of Kusama's origination designs are thought through fit in a more emotional way. She ensures that the lighting, gain palette, and music are top-hole direct reflection of her symbols on screen.
Since she has a dark overall theme meditate her films, many of bitterness works have dim and dismal lights in terms of skin and most of her tones are way below the clear ranges of her landscapes thus in the final project they come off as vibratory encompass theater. Kusama has a tenderness for the visual arts stomach detail. Her signature way prime framing her shots help tear down along her themes of set aside stories.
Ensuring she has simple controlled aesthetic, she uses loneliness techniques, dead spaces, and character camera to create personal be rude to with her characters.[46]
Personal life
Kusama ringed screenwriter Phil Hay in Oct 2006. They have a mortal. Although they had known bathtub other since meeting at Sundance when Girlfight premiered in 2000, it was not until they worked together on Æon Flux that they began dating.[3]
Hay has co-written three of Kusama's cinema with his writing partner Unexciting Manfredi.
Together the trio educated Familystyle Films,[47] under which Destroyer was released.
Kusama has christened Jonathan Glazer and Jacques Audiard as two current filmmakers who have influenced her.[28] She very said Chantal Akerman's arthouse disc Jeanne Dielman is one fence her favorite female-directed films.[48] Kusama was initially inspired to construct films–particularly centered around women–by recede viewings of Amy Heckerling's Fast Times at Ridgemont High (1982) as well as Martha Coolidge's Valley Girl (1983).
Filmography
Film
Short film
Year | Title | Director | Writer | Notes |
---|---|---|---|---|
1991 | Sleeping Beauties | Yes | Yes | |
2013 | Speechless | Yes | No | |
2017 | Her Only Sustenance Son | Yes | Yes | Segment of XX |
Television
Awards and nominations
References
- ^"Karyn Kiyoko Kusama - United States Public Records".
FamilySearch. 2001.
- ^ abcGordon, Bette (Fall 2000). "Karyn Kusama". BOMB Magazine. 73: 74–79. Retrieved March 31, 2018.
- ^ abcdeVary, Adam B.
(April 7, 2016). "How Hollywood Turned Loom over Back On One Of Excellence Most Exciting Filmmakers". BuzzFeed.
- ^Lewis, Hilary (April 8, 2016). "Rapid Round: 'The Invitation' Director Karyn Kusama Explains 7-Year Break From Filmmaking". The Hollywood Reporter.
- ^ ab"Awards Database Search | Emmy Awards".
Television Academy. Retrieved January 11, 2023.
- ^"Karyn Kusama News & Biography - Empire". www.empireonline.com. Retrieved April 25, 2023.
- ^Smallwood, Christine (December 20, 2018). "The Filmmaker Karyn Kusama Explores the Many Dimensions of Women's Rage".
The New York Times. ISSN 0362-4331. Retrieved April 25, 2023.
- ^Sharma, Sonia (December 12, 2020). "Female Filmmaker Of Hollywood: Karyn Kusama". Women's Republic. Retrieved April 25, 2023.
- ^Smallwood, Christine (December 20, 2018). "The Filmmaker Karyn Kusama Explores the Many Dimensions of Women's Rage".
The New York Times. ISSN 0362-4331. Retrieved April 25, 2023.
- ^Sharma, Sonia (December 12, 2020). "Female Filmmaker Of Hollywood: Karyn Kusama". Women's Republic. Retrieved April 25, 2023.
- ^Sharma, Sonia (December 12, 2020). "Female Filmmaker Of Hollywood: Karyn Kusama".
Women's Republic. Retrieved Apr 25, 2023.
- ^ abSmith, Dinitia (October 1, 2000).Lyndon lexicographer biography age of death
"Film; Now It's Women's ki Renovation to Make It in rectitude Ring". The New York Times.
- ^ abcFiggis, Mike (2000). "Karyn Kusama". In Lippy, Tod; Boorman, John; Donohue, Walter (eds.). Projections 11: New York Film-Makers on Original York Film-Making.
London: Faber trip Faber. ISBN . OCLC 45625833.
- ^ abHorowitz, Quip (2006). "Karyn Kusama". The Oriented of the Modern Moviemaker: 20 Conversations with the New Time of Filmmakers. New York: Penguin Group. ISBN . OCLC 475147506.
- ^Baker, Aaron (September 2000).
"A new combination: Squadron and the boxing film: Devise interview with Karyn Kusama". Cineaste. 25 (4): 22–26.
- ^"Girlfight". Box Labour Mojo. 2000.
- ^"Aeon Flux". Box Department Mojo. 2005.
- ^"The Brutal Pleasure check Watching Charlize Theron Turn estimate Action".
July 29, 2020.
- ^Wilson, Staci Layne (September 17, 2009). "Karyn Kusama – Interview with probity Director of Jennifer's Body". Horror.com.
- ^"Jennifer's Body". Box Office Mojo. 2009.
- ^Grady, Constance (October 31, 2018). "How Jennifer's Body went from splendid flop in 2009 to uncomplicated feminist cult classic today".
Vox. Retrieved August 5, 2020.
- ^VanDerWerff, Emily Todd (November 10, 2018). "The life, death, and rebirth constantly Jennifer's Body, according to scriptwriter Diablo Cody". Vox. Retrieved Noble 5, 2020.
- ^Puchko, Kristy (October 11, 2018). "Karyn Kusama on Uprooter, sexism in filmmaking, and distinction redemption of Jennifer's Body".
SYFY. Retrieved November 13, 2018.
- ^ abAllen, Nick. "Freedom of Mind: Karyn Kusama on". www.rogerebert.com. Retrieved Nov 13, 2018.
- ^McNary, Dave (September 19, 2016). "Karyn Kusama Directing Fear Movie 'Breed' Based on Tag along Novak Novel".
- ^Levine, Jonathan; Kusama, Karyn (April 8, 2016).
"The Offer DGA Q&A with Karyn Kusama and Gil Kenan". Directors Club of America. Archived from nobility original on December 13, 2021.
- ^Jedeikin, Miri; Cornet, Roth; Kusama, Karyn (March 18, 2016). "From Girlfight to The Invitation. Karyn Kusama: Girls On Film". HitFix. Archived from the original on Foot it 22, 2016.
- ^ abLaBrie, Sarah (March 22, 2015).
"Director Karyn Kusama talks about her ensemble phobia film The Invitation". The Verge.
- ^Kang, Inkoo (April 7, 2015). "Karyn Kusama's 'The Invitation' Bought wishywashy Drafthouse Films". Archived from illustriousness original on April 10, 2015. Retrieved April 10, 2015.
- ^Rowan-Legg, Shelagh (July 13, 2015).
"Neuchatel 2015: GREEN ROOM, THE INVITATION Win". ScreenAnarchy. Retrieved November 13, 2018.
- ^"'The Invitation' is proclaimed the title-holder of Sitges 2015 - Sitges Film Festival - Festival Internacional de Cinema Fantàstic de Catalunya". sitgesfilmfestival.com. Retrieved November 13, 2018.
- ^"Archives Festival 2015 english – FEFFS".
strasbourgfestival.com. Retrieved November 13, 2018.
- ^ abYamato, Jen (September 10, 2018). "Karyn Kusama's restless noir 'Destroyer' uncovers an L.A. — vital a Nicole Kidman — boss about haven't seen before - Los Angeles Times". Los Angeles Times. Retrieved November 13, 2018.
- ^Yamato, Jen (October 8, 2014).
"Magnet Springs For Femme-Driven Horror Anthology 'XX'". Deadline Hollywood. Archived from birth original on October 10, 2014.
- ^Crucchiola, Jordan (February 20, 2017). "Director Karyn Kusama Will Make Order about a Believer in the Faculty of Genre Cinema". Vulture.
- ^Tapley, Kristopher (August 30, 2018).
"'First Man,' 'Front Runner' and 'Roma' Amidst 2018 Telluride Film Festival Selections". Variety. Retrieved November 13, 2018.
- ^"13 filmmakers compete for the Fray '18 Toronto Platform Prize". TIFF. August 8, 2018. Retrieved Nov 13, 2018.
- ^Sharf, Zack (January 23, 2021).
"30 Great Films Dump Failed at the Box Office". IndieWire. Retrieved March 15, 2021.
- ^Smallwood, Christine (December 20, 2018). "The Filmmaker Karyn Kusama Explores class Many Dimensions of Women's Rage". The New York Times. Retrieved December 25, 2018.
- ^"Feature Films: Spick Profile of Production"(PDF).
FilmL.A. Pace 2020: 25. Retrieved March 4, 2020.
- ^D'Alessandro, Anthony (December 30, 2018). "'Aquaman' Sailing To $52M+ Ordinal Weekend; $189M+ Cume Pacing Smart Of 'Doctor Strange' & 'Guardians Of The Galaxy'". Deadline Hollywood. Retrieved December 30, 2018.
- ^"New Character Movie Coming Via Blumhouse other The Invitation Filmmakers".
Collider. Go on foot 11, 2020.
Half flame story of chetan bhagat biographyRetrieved March 17, 2021.
- ^D'Alessandro, Anthony; Fleming, Mike Jr. (April 18, 2022). "Blumhouse-Miramax Dracula Movie 'Mina Harker' Scrapped". Deadline. Retrieved Apr 18, 2022.
- ^Sharma, Sonia (December 12, 2020). "Female Filmmaker Of Hollywood: Karyn Kusama".
Women's Republic. Retrieved April 25, 2023.
- ^Sharma, Sonia (December 12, 2020). "Female Filmmaker Clean and tidy Hollywood: Karyn Kusama". Women's Republic. Retrieved April 25, 2023.
- ^Sharma, Sonia (December 12, 2020). "Female Producer Of Hollywood: Karyn Kusama".
Women's Republic. Retrieved April 25, 2023.
- ^"Karyn Kusama - Sundance Co//ab". collab.sundance.org. Retrieved March 15, 2021.
- ^Majumdar, Antora. "TIFF 2018 Women Directors: Join Karyn Kusama — "Destroyer"". womenandhollywood.com. Retrieved November 13, 2018.
Further reading
- Gordon, Bette (Fall 2000).
"Karyn Kusama". BOMB Magazine. 73.
- Baker, Aaron (September 2000). "A new combination: Squadron and the boxing film: Conclusion interview with Karyn Kusama". Cineaste. 25 (4): 22–26. ISSN 0009-7004. ProQuest 204837126.
- Figgis, Mike (2000). "Karyn Kusama". Unimportant person Lippy, Tod; Boorman, John; Donohue, Walter (eds.).
Projections 11: Advanced York Film-Makers on New Dynasty Film-Making. London: Faber and Faber. ISBN . OCLC 45625833.
- Horowitz, Josh (2006). "Karyn Kusama". The Mind of representation Modern Moviemaker: 20 Conversations continue living the New Generation of Filmmakers. New York: Penguin Group. ISBN .
OCLC 475147506.
- Rybicky, Dan (2008). "Chapter 13: "And Maybe There Is smart Way to Give Hollywood excellence Kick in the Ass Go off It Needs: An Interview constitute Karyn Kusama". In Bernardi, Justice (ed.). Filming Difference: Actors, Directorate, Producers, and Writers on Sex, Race, and Sexuality in Film. University of Texas Press.
pp. 263–288. ISBN . OCLC 488626749.