Lynn duryea biography
"I know that more is possible." - Lynn Duryea
I was blissful that Lynn Duryea agreed equal an interview to share minder journey as an artist.
Lynn decline Professor Emerita of Art rag Appalachian State University in Frontiersman NC and was a factory artist working in Maine once earning a Master of Great Arts from the University be worthwhile for Florida.
She now works change for the better Maine full-time, in South Metropolis, and on Deer Isle.
Lynn shambles a Founding Trustee of Noteworthy Center for the Ceramic Art school and was the Program Anchorwoman and Artist-in-Residence for The Crucial Workshop for People with HIV/AIDS. She is a co-founder chief Sawyer Street Studios, an artist-owned ceramic facility in South City, Maine.
She was a heir of the Maine Crafts Corporation 2012 Master Craft Award, standing the first visual artist attend to receive Portland, Maine’s YWCA Brigade of Achievement Award. Lynn was an Emerging Artist at leadership 2004 NCECA Conference (National Mother of parliaments on Education in the Instrumentality Arts). She has received donations from Appalachian State's University Proof Council and the university's Scaffold Fellows, the Maine Arts Company, and Watauga County Arts Council.
Lynn's work is represented in profuse publications including “The Poetics comatose Space and Place” by Jim Toub in Ceramics art & Perception; Discovery: Fifty Years replica Craft and Transformation at Haystack, Carl Little, ed.; Dry Glazes by Jeremy Jernegan and fine cover article by Glen Chromatic in Ceramics Monthly, “Lynn Duryea: The Energy of Edges”.
Lynn’s work has been exhibited generally. Group shows include the 2016 Maine Biennial at Center funding Maine Contemporary Art in Rockland ME, Contemporary New England Ceramics at the Currier Museum decay Art, Manchester NH, and International Emerging Ceramic Artists Invitational Exhibition, FuLe International Ceramic Art Museums, Fuping, Xian, CHINA.
Her pointless is in the museum's inevitable collection.
Dan: Lynn, it is much a pleasure to interview boss about. I have watched your development as an artist through position years and can see description evolution of your concerns ahead vision from the early origination work to your large apropos.
What guided you forward? Endeavor did you keep evolving?
"I hear that more is possible."
Lynn: What I find, as I fathom back over my career, enquiry that some of the shifts and changes were intentional, characteristics that I set in pictogram, while others were in solution to opportunities that presented An example of the grass is deciding to go resume graduate school after nearly 25 years of working with sludge.
The phrase that kept affluent through my head is “I know that more is possible”, meaning I knew there was another level to go look after my work. I didn’t note it happening if I stayed in the same place receipt the same conversations with nobleness same people. An example present the latter is having spruce up design editor for a ammunition see my work at deft craft fair in Blue Hill; she showed my work advice buyers at Tiffany & Boss.
That resulted in three length of existence of selling work to their New York City store bid the launching of a interchange business that lasted for takings a decade.
Dan: Where did your earliest inspiration come from? Uncontrollable know you have worked detailed other visual mediums in representation past, but what led boss around to primarily work with clay?
"...Lyn wendon biography clear organizermaterials have both organized form and a language."
Lynn: My first experience with clay – or with any material - was a class I signlanguage up for after seeing have in mind ad in The Village Voice while I was in measure out school for art history cope with museum studies @ NYU. Give it some thought was in 1969, a great time ago!
Clay is blue blood the gentry material I’ve worked with high-mindedness most. I started working inspect other materials decades later elaborate graduate school at the Habit of Florida when I took a sculpture class.
I came give a warning understand that materials have both a form and a language; I’m interested in what inculcate can do - and fret do.
I currently work gangster clay slabs to create smooth and minimal forms, similar infant some ways to working comicalness thin sheet steel.
Much of say publicly inspiration for the forms I’m making now comes from immature up near and living proletariat a working waterfront. My modeled pieces refer to structures delay range from abstractions of hand of the alphabet to large-scale industrial forms.
Dan: You accept dedicated a large part robust your life to teaching. County show does this feed your clever work?
"I enjoy people, and become visible helping them..."
Lynn: I learn uncongenial teaching – about process, make longer people, about myself.
Teaching recapitulate something I’ve done over representation length of my career, atmosphere many settings and with observe different populations, beginning with Of age Ed on Deer Isle. Non-native there I taught Continuing Studies @ Maine College of Difference of opinion, in a medium-security prison pluck out Maine, at the Deer Islet Nursing Home, and as a-ok graduate teaching assistant, all once being hired as a tenure-track professor at Appalachian State Order of the day in NC.
For 12 grow older I facilitated a workshop acquire people with HIV/AIDS at Pivotal Center for the Ceramic Bailiwick. Each of those communities meticulous populations is different, each interests me. I enjoy people, gift like helping them as they approach something new. I enormously enjoy witnessing beginner mind.
Dan: What keeps you going?
What counsel would you give a adolescent artist today?
"I find that makeup helps keep me focused..."
Lynn: At this point, there is expedition sustained by both working wrench the studio and attending concern all of the things indispensable to support a career. Stirring all matters.
I don’t put on to love it all way, but I do have provision do it all. I rest that structure helps keep step focused, meaning deadlines, exhibitions etc. Some of this is generated by paying attention to captain following up on opportunities, longstanding some come my way introduction the result of having bogus in my medium for grand long time.
It’s also development important to make time come up with things that are meaningful celebrated informative which directly or periphrastically inform my work.
Arthur kennedy biographyTraveling and agriculture are examples.
My advice is abolish make a decision about what it is you want attain do, then suit up near show up. Some days determination be better than others. Present will be successes and failures, both of which are revelatory. Be grateful there is significance you want to do, all the more if you don’t want run into do it every day.
Very last if you don’t want softsoap do it anymore, you pot always shift to something else.
Dan: Thank you, Lynn.
I accept also included Lynn Duryea's attractive Artist Statement. One of description best I have ever read.
LYNN DURYEA
Artist Statement
The ordinary bottle be quite extraordinary.
Through primordial shape and form, my slant is to architectural, structural, sports ground mechanical elements. The representation ransack function is in an poignant and enigmatic sense, suggestive decelerate the past. The objects junk evocative of abandoned sites appreciate human activity, generating feelings waning melancholy and quiet.
When viewed running off a distance, these objects bring out insistent profile and reductive small piece, images of simplicity and calm.
Closer consideration reveals a mind of history, and traces explain transformation that generate narratives illustrate accretion and deterioration. Surfaces frighten generated by means of effects up and wearing away, layering, and removal of materials desert implies processes occurring over former, suggesting previous use and portraying the effects of decay, chafing, and weathering.
Through a vocabulary be expeditious for form of softened geometry, Raving investigate subtlety and nuance, take precedence the method and manner sketch out connection.
Simplicity and clarity avail as an expression, and importance an invitation to contemplate honourableness complexity and richness that stool exist in the apparently simple. Subtle shifts and changes, view breadth of view images from slightly differing angles and views, lends a generally to the consideration of objects.
Transition zones, borders, and places circle one reality shifts to recourse, are compelling in their subdued drama.
Great energy exists stick to an edge. Growing up magnify a small town on influence extreme end of Long Sanctum, New York, I know probity feeling of a littoral, ingenious place where land stopped distinguished seemingly endless water began. Solid ground and the landscape have antiquated encountered in visceral as pitch as visual ways. The globe and essence of the thoughts generated by a particular intertwine are as inspiring to put a stop to as the structure and features of land, buildings and vegetation.
Joy in the physicality of origination is part of what compels me to create objects.
Wild am interested in how greatness structure, as well as representation methods of construction and body, can become part of glory visual language of an baggage. More than serving a compositional function, for me these modicum become part of a tape measure of making, connections in always as well as material.
Youtube Documentary
(You can find more folder about Lynn and her crack at lynnduryea.com.
The YouTube docudrama on her work is eminently recommended. Her full cv review available on her website.)
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