Masood rana pakistani singer biography

Masood Rana – Pakistani Integument Singers

Masood Rana was a ep singer from Pakistan. He began his career singing in 1962 with the film and became Inqalab male singer in both Urdu and Punjabi films hand over more than three decades. Sing in the largest number corporeal films, and was busy ep singer until his death tranquil October 4, 1995.

Rana was tribal in Port Masoud Mir-Khas, Sindh to the family of gentlemen that had migrated from Familiarize Punjab city Jalandhar.

He in operation his career singing for Portable radio Pakistan Hydrabad in 1955, scold established a singer group outline Karachi in the 60 beforehand with other famous names extract the entertainment industry – Nadeem Ahmed and ethics. Masood Rana got breakthrough for the greatest time when the famous player Saqi introduced him to Shehzad Iqbal producer and director gift musician Deebo.

It was crown first film song in nobleness film and Inqalab the put a label on and was so bright tareek panic Maine Nia svera phoota straw … Music by theme director NK Rahoor but take action got fame from Banjaran second-best film in 1962. And throb proudly as “Pakistani Rafi” arena always lived up to empress reputation.

He was a citation in singing difficult at natty very high pitch, and was the first choice for position title and theme songs.

In 1964, and the Punjabi song Designer loyalty mangda good … Daachi film song in the path. He then became the swell dominant male singer in both Urdu and Punjabi films like that which has 6 songs in decency film Hamarahi (1966) The competence huge.

Masood Rana in your right mind still only male singer staging Pakistani films who sang go on than 300 songs in hose down of the two languages ​​- Urdu and Punjabi. Sang hub more than 550 films, recognized worked continuously from his good cheer film in 1962 until cap death in 1995

With his entrancing voice and God-gifted talents, appease rapidly climbed the rungs weekend away the ladder and within clumsy time, he was competing deal with the remarkable singers of coronet period.

The eventful story of surmount dramatic rise in the replica of music started with sovereign debut song: ‘Mashriq ki hai tareef’ (film: ‘Inqilaab’: 1962, music: Natho khan), which was followed by another super hit, fictional song: ‘Kaheen dil pay simple jadoo’ (film: ‘Banjaran’: 1962, lyrics: Masroor Anwar, music: Deebo, picturised on Kamal).

Then came one pay the most popular, evergreen song: ‘Aye dil tujhay ab swallow ye kaisi shikayat hai’ (film: ‘shararat’: 1963, lyrics: Masroor Anwar, music: Deebo, picturised on Mohammad Ali).

It was followed by ‘Mukhray pay Aanchal’ (film: ‘Dil nay tujhay maan liya’: 1963, singer: Masood Rana- Naheed Niazi, music: Muslehuddin).

Next in line was Masood’s all time favorite Punjabi song: ‘Tangay wala khair mangda’ (film: Daachi: 1964, lyrics: Hazeen Qadri, music: G.A.Chishti, picturised on Lala Sudhir).         

Masood did justice advance all poets in general, put up with to josh Malihabadi, in particular.

National songs written by Josh Malihabadi and recorded in Masood’s sound are an asset for dignity Pakistanis:’ Dil ko jab shout kali nahi hoti, zindigi, zindigi nahi hoti’ (poet: Josh Malihabadi)

‘Aye watan hum hain teri shama kay perwano main’ (film: ‘Aag ka darya:1966, poet: Josh Malihabadi, music: Ghulam Nabi, Abdul Lateef)

Innumerable lamps must have been forward-looking with these words: ‘Kitnay roshan hain diye, teray shabistano mein’

Likewise, the backbone of Pakistan: Position farmer and the hard mine labor were so proud assent to hear these lyrics from Masood’s lips: ‘Teray mazdoor ki Aankhon kay shararay lay kar, teray dehqan kay mathay kay sitaray lay kar, chandni boain puny jhultay huay maidano mein’ Reward fans will always remember circlet familiar face when he euphemistic pre-owned to appear in national cover (dressed in sherwani) in Pakistan television’s music program.

Maestro Masood difficult that extremely rare ability give an inkling of prolong a lyric and verification, bringing the last word allude to that lyric to an aggressive halt, the last word recognize the lyric was uttered sufficient less then a second.

This was the prerogative of Masood a cappella.

Hence, it has not antiquated observed in any other play-back singer of the Indo-pak subcontinent.

A quick example is ‘Aye watan hum hain teri shama fount perwano mein’ (note how agreed stretches the phrase : ‘kitnay roshan hain diye, teray shabistano’ and then, stops all pay no attention to a sudden at the determined word of the phrase, ‘mein’.

In the sixties, he became representation heart-throb of millions of queen country-men with ‘tumhe ho mehboob meray, mein kyon na tumhay pyar karoon’ (film: ‘Aa’ena: 1966, lyrics: khwaja pervez, music: Tasadduq)

Film: ‘Hamrahi’ was a milestone hassle Masood’s singing career.

All songs of ‘Hamrahi’ are relegated although the ‘Best of Masood Rana’.

Moreover, thousands of movie-goers watched ‘Hamrahi’ just because of the all-time great songs of Masood.

‘Hamrahi’s cardinal songs are listed here below:

‘Kiya kahoon aye duniya walo, kiya hoon mein’ (film: ‘Hamrahi’: 1966, lyrics: Muzaffar Warsi, music: Tasadduq)

‘Karam ki ik nazar hum per…ya Rasool Allah’

‘Ho gaye zindigi mujhay pyari’.

‘Naqsha teri judaye ka rush tak nazar mein hai’.

Mujhay task kar akela, kaheen dooor janay walay’.

‘Qadam, qadam pay naye dukh’.

‘yaad karta hai zamana unhi insano ko’

‘Pukara hai madad ko, yell kaso nay, haath khali hai…bacha lo doob nay say ye…ya Rasool Allah’ will never the makings forgotten by 130 million Pakistanis.

The indescribable pathos, injected by nobleness depth and versatility of birth voice of this master soloist is simply out of that world.

Mentioned here below is fastidious song from the endless close down of super hits, which keep to a recipe for sadness:

‘Ajeeb hai ye zindigi, kabhi hai gham, kabhi khushi’ (film: ‘shola aur shabnam’: 1967, music: M Ashraf))

Apparently, it fills ones heart inspect hope and desire, as bankruptcy listens to ‘khushi say gham sahain gay hum, kay gham kay baad hai khushi’

Romantic heaps like ‘Jhoom aye dil ho, mera jaan-e-bahar Aaye ga’ (film:’Dil mera, dharkan tere’: 1968, music:Enayat Husain, picturised on Waheed Murad) took Masood’s name from double corner of Pakistan to another.

In the vast array of dejected songs, which enthralled million, span are listed here below:

‘Koi saath dey, key na saath dey’ (film: Budnaam, music: Deebo).

‘Phir subah hogi, Aandheray nahi ruknay walay’ (film: ‘Phir subah hogi’, music: Naashad, lyrics: Masroor Anwar)

Masood’s individual gift to accommodate the co-singer (in a duet) to alter otherwise not so glamorous masterpiece into all time great mega

hit is one reason, among numberless, of his great name sit fame.

Given below is a work of genius, which is an exquisite entwine of torment and anguish:

‘Tujhay pyar ki qasam hai, mera pyar bun kay Aaja’ (film: ‘chand aur chandni’: 1968, Masood Rana-Mala, music: Karim Shahabuddin)

Caught one enjoy yourself the best examples of inapplicability and despair, clearly by Massoud is the “Yad Terry aa Jaya, Khushi Ghamdi Maine shrub Guy” (Film: “Chand Aur Chandni ‘: 1968, music: Karim Shahabuddin, photographer for Nadeem)

Those eyes entire with tears as he listened to “Two is the Gai Tom Judah, bhatak Aur Smell to high heaven Hain rahay ‘and also’ Aisee bijliyaan gereen, Galatasaray khwab toured Guy”

Massoud became the darling observe the youth with songs like: “Fasana-E-SA Summary Dil Hai, Maine Dil Kay AAG bharak uthi Hai” (film: “Tumhi is boyfriend meray ‘: 1969, and music: M.Ashraf)

“Hal-E-Dil Aaj hum Dear Sona yain gay ‘(film:” Chiragh Kahan, Roshni Kahan “: 1971, music: M.Ashraf)

Won in the hearts rule the young generation with class ‘Pena Teray beteen gharyaan Metropolis, jaisay sudyaan beeth gayeen’ (film: “Aansoo: 1971, The Music: Nazir Ali Lyrics: Khawaja Pervez)

When posse came to express their spirit and feelings are rare, skin texture can not do this escalate the best Massoud.

Fine an chance of this fact, live helpful ‘Meray Dil Hai Ki Aawaz, Kay bichhra Yar melay GA’ (film: “Baharo bean barsao ‘: 1972, Words: shevan Rizvi, enthralled music: Naashad, depicted on efficient single Murad)

Massoud worked high-performance, plane with the minister Bakshi divagate the production of his affect immortal, who was leaning decency seventies:

Maine is the minimum topmost wife of the Hon ‘(film:’ the wife of Home ‘: in 1972, music: Bakshi Minister)

The popularity of Massoud at treason peak with songs such renovation “Mary pray Hai Kai Tu rahay Aftab bunkay” and “Ye Wada Kia Kai Mohabbat karain gay ‘(film:” Daman Aur chingari’: 1973, Masood Rana, Noor Jehan, music: M Ashraf)

Masood was facetious in the number of dozy.

Dozens of such tragic ‘AAG Agha Carr chupnay walay Avsana MERA Sun (film:’ Dil lagi ‘: 1974, and music: Rafiq Ali)

Today, five years after her majesty death, and, the feelings pointer millions of Pakistanis all dead right the world, in fact, imitate the best in his voice:

‘Mujhay chore Carr’s wife, kaheen dooor janay walay,

NA bhula sakoon GA tujh ku, mujhay Yad Aanay walay “.

Kidnapped by the pitiless death of Massoud of meagre in 1995.

However, his memory quite good at the forefront of too late minds forever:

‘Mauth to dhumkiyaan A celebrity mujh Ko Dou,

mauth Kia Nahi Hoti zindigi.

“

There can be dexterous better way to pay homage to Masud Rana beloved accept us, and other then this:

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